Freedom often begins from terror, and White Hinterland's third album, 'Baby' (out April 2014 on Dead Oceans), addresses the fear that comes along with breaking out of established rituals, or leaving a comfortable place, and striking out into the unknown. Four years after her profile-raising release, Kairos (2010), Casey Dienel aka White Hinterland has taken the gloves off and knuckled down to produce a deep, dark, heady mix of songs.
After two and a half years of writing and recording material in Montreal and Portland, OR, Dienel moved back in to her family home in Scituate, MA. There she forged a new aesthetic, spending five months building her own studio, The Glades, in her parents' basement - the same space where she practiced piano and vocal lessons as a child. Dienel set forth to subvert the existing power structure of male producer as svengali and female artist as figurehead (see: Billy Corgan/Courtney Love, Timbaland/Aaliyah, Phil Spector/The Ronettes). She created her own, new path on 'Baby', which showcases her as a singer/songwriter/producer who has only become bolder and more resolute over the past three-plus years. Calling in her friends as pinch hitters, Dienel worked acclaimed musicians Sean Carey (Bon Iver, S. Carey), Neal Morgan (Joanna Newsom, Bill Callahan), and Cole Kamen-Green (Beyoncé).
On her first four records, Dienel projected her fears and fantasies onto imaginary characters, role play, and lush atmospherics. If 'Kairos' was a work of atmosphere, a forty-minute-long reverie without any narrative, then 'Baby' sits at the opposite end of that spectrum. 'Baby' is about song craft. It is forceful, rooted in the physicality of the voice, percussion and piano, and it is about getting straight to the point, which Dienel does from the very first song. The themes explored on 'Baby' are universal but it is Dienel's singular reaction to what life has thrown in front of her that makes the record unique. "I would say the themes of this record to me are personal agency, strength, growth, determination," she posits. "And to get those things is usually fucking terrifying and comes with casualties and loss."
For Booking enquiries please email clairecourtney[at]nomanis.com